Samples Engine

Make your Sound with no limits!

Complete Virtual Mix Rack v2.5.2.1 WiN-R2R

Complete Virtual Mix Rack v2.6.4.0 READ NFO-RET

Complete Virtual Mix Rack

Team RET | 01 September 2021 | 484 MB


V.M.R 2.0 allows audio engineers to easily create the channel strips of their dreams using a library full of analog modeled plugins. Choose from dozens of modules including vintage modeled EQs, compressors, enhancers, filters, preamps, mixing consoles, and more. But even beyond the sound you can get with V.M.R 2.0, you also get the added bonus of speed and efficiency from having your entire processing chain in one convenient window. V.M.R 2.0 ships with the Mix Bundle One, which contains four Slate Digital processing modules: FG-401 Compressor, FG-S EQ, FG-161 FET Compressor and FG-N EQ.


Complete Virtual Mix Rack v2.6.4.0 READ NFO-RET

PITCHMAP v1.7.0 AAX VST VST3 x86 x64 WiN-R2R

PITCHMAP v1.7.0 AAX VST VST3 x86 x64 WiN-R2R


Team R2R | 01 Oct 2021 | 12.7MB

..:: AAX, VST, VST3, x86, x64 ::..

PITCHMAP is the world’s first and only plug-in that allows processing the pitch of individual sounds within mixed signals in real-time. It lets you change the melodies and harmonies of any recording by simply playing your own on a MIDI keyboard or creating a pitch map using our stream-lined GUI, and optionally corrects any tuning issues at the same time. As if that weren’t enough, PITCHMAP provides functions to suppress individual sounds within a mix, and can apply advanced synthesizer-like sound transformations to your audio. In short, it is an inspiring musical instrument, a precision corrective tool and the only processor that literally lets you shape music with your hands.

PITCHMAP has so many uses we haven’t yet discovered all of them ourselves. Here’s a couple of the applications we’re aware of:

  • Engineers can correct tuning inaccuracies in mixed recordings
  • Composers can try different harmonies for their works in an immediate, hassle-free and inspiring manner
  • Music producers that work with sampled material can now sculpt the music inside the samples as if they were clay in the hands of a potter
  • DJs can adapt the key/scale of their songs to fit into a seamless set
  • Sound designers get a bunch of unique new ways of creating the sounds that make the films and games of today so immersive
  • Mash-Up artists and Re-Mixers now spend minutes instead of hours (or days) adapting the components they use to fit each other
  • Rapid song/score prototyping using existing recordings that can be transformed to be something new on-the-fly
  • Mix element suppression under MIDI control
  • Creating unique synthesizer sounds based on a live input
  • Create instant remixes and professional accompaniment tracks directly from your favorite songs or play list


MAP That Pitch
Based on our Mixed-Signal Audio Processing technology (MAP), PITCHMAP internally de-mixes the input signal into individual sounds, including their harmonics and transients. This technique is quite literally rocket science, and is done using perceptive modeling and pattern recognition techniques also used in artificial intelligence applications. The separated sounds can then be individually tuning-corrected and mapped to other pitches, a process we call Pitch Mapping. MAP also enables PITCHMAP’s simple-to-use, yet very effective functions for suppressing or isolating mix elements. In real-time, of course.

Our MAP process is based on a model of the human perceptive system, including the cochlea and the brain region responsible for interpreting its data. Hence our process is inherently very natural sounding with correct settings and reasonable amounts of pitch modification. The human voice, however, has a very specific sonic topology that is very different from any musical instrument, and human hearing is trained to detect even the most subtle sonic variations in a voice. As a result, processing voice simultaneously with other instruments has been a challenge in the past. To accommodate for this, we’ve added an extra layer of intelligence that recognizes voice elements and processes them separately. We’ve called this Natural Mode.

Electric & Creative
Certain pitch correction algorithm artifacts have become quite popular. We’ve got those, too, if you want them. But our MAP process has more sonic options than that. We’ve added parameters called Purify and Electrify that allow making your sound more or less synthetic sounding, and threw in a polyphonic Portamento option named Glide, for good measure. In combination with the live MIDI function, these parameters can basically turn PITCHMAP into a unique synthesizer allowing some very far out sound design.

No PhD Required
Although the DSP code itself is insanely complex, the process of Mapping Pitch is as simple as playing some notes on a MIDI keyboard or dragging sliders on our super-slick GUI to assign source pitches to target pitches. Or you can let your computer do the pitch mapping by using dedicated macro controls to go from one key/scale to another with just a couple of clicks. Changing pitches in a mixed signal has never been so intuitive and musical. Instant correction of tuning issues, straight-forward re-harmonisation or intricate restructuring of a composition’s pitches… the choice is yours, PITCHMAP does the rest.

Lightning Fast
To increase workflow efficiency even more, we’ve provided comprehensive Snapshot functionality. 8 Snapshot slots let you compare multiple settings, adapt the process to different parts of a recording individually and create parameter automation without a headache. Summed up, PITCHMAP gives you near-instant results while at the same time giving you access to every little detail.

🡳 Download 🡳

Reelight Pro v1.0.5.8787 AU VST3 x64 WiN MAC-R2R

Reelight Pro v1.0.5.8787 AU VST3 x64 WiN MAC-R2R

Reelight Pro v1.0.5.8787

Team R2R | 01 Oct 2021 | WiN: 11.5MB | OSX: 39.0MB

Tape Saturation and Compression Processor

Reelight Pro is a tape saturation plugin with many features for getting an authentic tape vibe and also some of the desirable artifacts associated with tape. The plugin authentically emulates tape saturation/compression, overall sound, and vibe. We bring you 6 tape machines at 2 speeds and various levels of sampling and modeling to get the most authentic sound possible to date!

Reelight Pro v1.0.5.8787 AU VST3 x64 WiN MAC-R2R
🡳 Download 🡳

New! Reason v12.2.1 WiN FULL-R2R

New! Reason v12.2.1 WiN FULL-R2R

Reason v12.2.1 WiN FULL

Team R2R | 1 October 2021 | 4.99 GB

(Added Today New R.E | Include Rack Extensions & R2R Tools)

The Reason Rack is one of the most powerful and flexible sound design and beatmaking tools for your music. It’s a virtual studio rack packed full of instruments, synthesizers, drum machines, sound-shaping effects, Player MIDI effects, and mixing tools which come together to make your sound possible.

Inviting, easy to use and with a sound to die for: Reason’s instrument is the true stars of the Reason experience.
– Mimic Creative Sampler NEW
– Grain Sample Manipulator
– Radical Piano
– Europa Shapeshifting Synthesizer
– Thor Polysonic Synthesizer
– Rytmik Drum Machine
– Klang Tuned Percussion
– Pangea World Instrument
– Humana Vocal Ensemble
– Monotone Bass Synthesizer
– Kong Drum Designer
– NN19 Sampler
– NN-XT Advanced Sampler
– Malström Graintable Synthesizer
– Dr. Octo Rex Loop Player
– Redrum Drum Computer
– Subtractor Analog Synthesizer
– MIDI Out Device
– ID-8 Instrument Device

Player MIDI FX
– Beat Map Algorhythmic Drummer
– Scales & Chords
– Dual Arpeggio
– Note Echo

– Combinator Major update
– RPG-8 Monophonic Arpeggiator
– Matrix Pattern Sequencer
– Pulsar Dual LFO
– Mixer 14:2
– Line Mixer 6:2
– Spider Audio Merger & Splitter
– Spider CV Merger & Splitter

From the easy and straightforward to the esoteric and downright complex, Reason comes with all the effects you need.
– Quartet Chorus Ensemble
– Sweeper Modulation Effect
– Master Bus Compressor
– Channel Dynamics
– Channel EQ
– The Echo
– Pulveriser Demolition
– RV7000 MkII Reverb
– Softube Amp
– Softube Bass Amp
– Scream 4 Sound Destruction Unit
– Alligator Triple Filtered Gate
– Synchronous Effects Modulator
– Neptune Pitch Adjuster
– BV512 Vocoder
– Audiomatic Retro Transformer
– MClass Equalizer
– MClass Stereo Imager
– MClass Compressor
– MClass Maximizer
– RV-7 Digital Reverb
– DDL-1 Digital Delay Line
– D-11 Foldback Distortion
– ECF-42 Envelope Controlled Filter
– CF-101 Chorus/Flanger
– PH-90 Phaser
– COMP-01 Compressor/Limiter
– PEQ-2 Two Band Parametric EQ
– UN-16 Unison

Sounds & Patches
Major update
– Huge sound banks with more than 29000 device patches, loops and samples

New in Reason 12
– Mimic Creative Sampler
– Mimic is a fun new sampler for the modern beatmaker and producer. Designed for quick and immediate triggering, chopping, and manipulation of whatever audio you throw at it.

Updated Combinator
– Combine your favorite devices, choose a panel size, change the background color, add a custom background, and the perfect set of controls to build your dream machine.

High Resolution Graphics
– Geek out on crystal clear hyper-realistic devices in the Rack and adapt Reason to your workflow with the new new zoomable interface.

Faster browser
– With a new faster browsing experience you can easily find all your devices, samples and patches, and stay in the creative flow.

R2R Contents:
New Today:
– Reason v12.2.1 WiN FULL-R2R

– Reason Rack Extension Cache Builder.v1.0.1-R2R   <——-NEW TODAY
– WAIFU v1.5.0-R2R
– Root Certificate-R2R

Rack EXTENSiONS Includes:
– Reason Rack RP Varoius Extensions-DECiBEL
– Reason Rack Algoritm v1.0.0-DECiBEL
– Reason Rack Attention v1.0.0-DECiBEL
– Reason Rack RPSpec v1.0.0-DECiBEL
– Reason Rack Electric Bass v1.0.1-DECiBEL
– Reason Rack Radical Keys v1.0.0-DECiBEL
– Reason Rack Processed Pianos v1.0.1-DECiBEL
– Reason Rack Friktion v1.0.2-DECiBEL
– Reason Rack Complex-1 v1.0.5-DECiBEL
– Reason Rack Studio Maia v2.3.2-DECiBEL
– Reason Rack Studio Maia Orange Edition v2.3.0-DECiBEL
– Reason Rack Studio Maia Matrix Edition v2.5.1-DECiBEL
– Reason Rack Studio Luna v1.8.0-DECiBEL
– Reason Rack Aquios X4 v1.0.2 PROPER- R2R  <——-NEW TODAY
– Reason Rack Glacius X v2.0.0-DECiBEL
– Reason Rack Helium v2.0.3-DECiBEL
– Reason Rack Hydronexius v2.0.0-DECiBEL
– Reason Rack Morphine 8 v1.0.3-DECiBEL
– Reason Rack Scenic Hybrid v1.1.0-DECiBEL
– Reason Rack Umpf Club Drums v1.0.1-DECiBEL
– Reason Rack Umpf Retro Beats v1.0.1-DECiBEL
– Reason Rack ReSpire v1.0.7-DECiBEL
– Reason Rack Fat Space v1.0.0-R2R
– Reason Rack DR-1 Deep Reverb v1.1.0-R2R
– Reason Rack DC-2 Dual Chorus v1.1.0-R2R
– Reason Rack AP-12 Analog Phaser v1.0.2-R2R
– Reason Rack AF-4 Analog Filter v1.1.0-R2R
– Reason Rack Antidote v1.2.8 PROPER-R2R
– Reason Rack C670 Compressor v1.0.4-R2R
– Reason Rack E670 Equalizer v1.0.4-R2R
– Reason Rack FRG-4RE Compressor v1.0.4-R2R
– Reason Rack FRG-EEE Equalizer v1.0.4-R2R
– Reason Rack FutzBox v1.0.4-R2R
– Reason Rack GQ-7 Graphic Equalizer v1.6.0-R2R
– Reason Rack Legend v1.2.2 PROPER-R2R
– Reason Rack Moo Q Equalizer v1.0.4-R2R
– Reason Rack Moo Tube Compressor v1.0.4-R2R
– Reason Rack Ninety Vintage Phaser v1.0.2-R2R
– Reason Rack Obsession v1.1.0 PROPER-R2R
– Reason Rack RE-160 v1.0.0-R2R
– Reason Rack RM-1 Ring Modulator v1.0.2-R2R
– Reason Rack VE-3 Vintage Equalizer v1.0.2-R2R

– Record v1.5.1-R2R

Reason v12.2.1 WiN FULL-R2R
🡳 Download 🡳

B-3 V v2 2.4.1 1618 WiN-MORiA

B-3 V v2 2.4.1 1618 WiN-MORiA

B-3 V v2 2.4.1 WiN

MORiA | 31 August 2021 | 348.6 MB


The B-3 V delivers the most authentic tonewheel organ and rotary speaker experience you’ll find anywhere, plus customizations that open up new creative opportunities. Monarch of electronic organs, the rich sounding B3 has been a staple of jazz, gospel, rock, reggae and R&B—not to mention pro studios everywhere—for over a half century. Its electromagnetic tonewheel design gave it a beefy quality not found on later transistor organs. Our faithful homage includes an authentic rotary speaker and an array of stomp boxes, plus inspiring updates like analog circuit mods and drawbar modulation for new animated and syncopated effects.

B-3 V v2 2.4.1 1618 WiN-MORiA

Eos v2.1.0 AAX AU VST VST3 WiN MAC


Eos v2.2.1 WiN MAC LiNUX

ARTiCSTORM | 30 September 2021 | 13 MB

(Win32/64, MacOSX, LiNUX; AAX, AU, VST3, VST)

Eos 2 is a massive update our Eos algorithmic reverb. With an all-new entirely procedural GUI (featuring full Retina and Windows HiRes compatibility), a new cross-platform preset mechanism, a new reverb algorithm, the addition of crossover controls, the addition of VST3 versions, and a ground-up rebuild for future-proofing, Eos 2 is a worthy successor to our all-time best-plugin. Eos consists of four high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Three different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is not possible with convolution ‘verbs


  • Bespoke Reverb Algorithms
    Eos includes four high-quality, studio grade custom-designed reverb algorithms: Three different plate simulators and the Superhall algorithm for expansive dense and rich reverbs with gentle modulation.
  • Flexible Sound Shaping
    Eos’ reverb parameters (pre-delay, diffusion/density, size, attack and decay), offer precise control over the plugin’s spatial characteristics.
  • Modulation
    Rate and depth controls apply time-varying changes to the delay lines within the reverberators, making the effect sound more realistic when used gently and otherworldly at extreme settings.
  • Filtering and Frequency Shaping
    On top of a pair of simple EQ filters (low cut and high cut) at the reverberators’ inputs, Eos allows the user to adjust the way in which high and low frequencies decay, altering the tonal quality of the reverb tail.
  • Infinite Decay
    The reverberators’ decay time can be set to infinity, freezing any input signal, somewhat like a looped sample. A setting suited to creating unusual effects, providing ample sound design possibilities.
  • Mix and Lock
    Adjust the balance between the dry input and the effect signal. With the LOCK button engaged, the Mix parameter will not change when loading presets.
  • Mono In, Stereo Out
    Eos can be used in a mono-in/stereo-out or stereo-in/stereo-out context. It creates a stereo reverb output even if the input signal is mono.
  • Cross-Platform Preset Format
    Eos utilizes an XML-based preset manager. Work between multiple systems without troubles, make a preset on your desktop machine and paste it to the iOS version with Handoff, easily share your creations with your friends, or make a preset bundle to sell.
  • Fully Resizable Hi-Dpi/Retina GUI
    Eos 2’s vector-based GUI is resolution-agnostic, and displays the same on every system and resolution. Easily resize the UI (per instance) to match your visual needs, from postage stamp to poster-sized.


🡳 Download 🡳


NANi: DiSTORTiON ANiME PLUGiN v1.2.0 VST3 x86 x64 WiN-R2R

NANi VST3 x86 x64 WiN

TEAM R2R | 30 September 2021 | 7.3 MB

Nani Plugin is new distortion plugin, as funny as it may look, it actually does a great job.

– Five unique algorithms ranging from gentle saturation to incredibly destructive distortion.
– Precise filtering, tone control, and signal blending to achieve infinite possibilities

What´s new (v1.2.0):

NANi: DiSTORTiON ANiME PLUGiN v1.2.0 VST3 x86 x64 WiN
🡳 Download 🡳



PadShop Pro v2.0.30 WiN MAC

P2P | 30 August 2021 | Library: 5.51 GB | Plugin: 273 MB

(Win/Mac64; AU, AAX, VST3, VSTi, NKS)

Padshop Pro is an enhanced version of Steinberg’s state-of-the-art VST granular synthesizer and comes with several new effects and opportunities to fit the requirements of professional sound designers and skilled creatives. The Pro version offers the import and manipulation of custom samples in a way that will alter your perception of sound forever.

Exclusive Padshop Pro features:
– Sample import via drag-and-drop for advanced sound design projects and custom presets
– 3-band parametric EQ per layer for clarity and smoothness in the mix
– Algorithmic reverb to enrich your sound with fullness and athmosphere
– 50 new presets with athmospheric pads and evolving sounds

Sample import
– With Padshop Pro, sound designers and creatives can use their own samples and recordings to fuel Padshop’s granular synthesis engine. Record new sounds in Cubase and drag-and-drop the file directly to Padshop Pro to create your individual sound presets. Own samples can also be imported from the MediaBay or via the convenient import browser into Padshop Pro. WAV and AIF formats with a length of up to ten minutes are supported.

The FXpert
With two additional effects, Padshop Pro covers all you need to create your own spectacular granular synthesis presets.
The Pro version comes with a 3-band parametric EQ for each layer. With a frequency range from 20 Hz to 20,000 Hz and a variable Q for the mids, the equalizer lets you increase the clarity and smoothness of your custom presets and gives you the chance to edit the sounds precisely from the first step.

Zero Gravity Expansion Pack
With 250 new presets and a fully loaded new SoftGrain Wave ROM, Zero Gravity is the first expansion pack for Steinberg’s Padshop VST granular synthesizer.

Padshop 2.0.30 Update:
•Fixed possible crash in Cubase when loading
•HALLY-8601 Fixed wrong swing factor after loading presets
•HVIS-8392 Fixed behaviour of Retrigger Mode “First”

PadShop Pro 2 v2.0.30 WiN MAC x64

U-he Zebralette v2.9.3 WiN MAC LiNUX [FREE]

U-he Zebralette v2.9.3 WiN MAC LiNUX [FREE]

U-he Zebralette v2.9.3

FREE | 30 August 2021 | 199 MB

.:AAX, AU, x86, x64, VSTi, VST3:.

Zebralette: easy spectral synth

Zebralette is our version of a Trojan horse. A free synthesizer and an introduction to Zebra2’s fantastic oscillators. Perhaps it will persuade you to try Zebra2 and upgrade. If one oscillator is this powerful, imagine what you can achieve with four… and all the other great features available in Zebra2.

• A single Zebra2 oscillator with a 16-slot waveset. Read more below
• Oscillator waveform editing with geomorph, spectromorph, geoblend and spectroblend modes. Read more below
• 24 spectral effects including filter, sync, scatter, phase distortion and many more
• Polyphonic (up to 16 voices), monophonic and legato modes
• Stereo VCA with pan and volume modulation
• VCA oscillator stacking with adjustable stereo width: single, dual, quad and eleven modes
• ADSR envelope with fall/rise (sustain slope) and velocity controls
• Modulation options including: modwheel, velocity, pressure, breath, key follow, gate and more
• 2 LFOs: one global, one per voice
• A 32-stage MSEG (multi-stage envelope generator)
• 3 built-in effects: chorus/phaser, EQ, delay
• MIDI learn / unlearn of hardware controls (CC)
• Polyphonic aftertouch support
• 300 factory presets
• Scalable UI from 70% to 200%
• NEW in v2.9.3: Support for Oddsound MTS-ESP

• Apple OS X 10.9 or newer
• Windows 7 or newer
• Linux

Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display

Modern CPU required:
• Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
• Mac: Intel Nehalem or newer, Apple M1
• Linux: glibc version 2.28 or newer

Zebralette is not a standalone product, it requires host software. Zebralette is compatible with nearly all DAWs.

• AUv2, VST2, VST3, 64-bit only
• temporarily no AAX (read more)

• VST2, VST3, AAX*
• 32-/64-bit
* AAX requires Pro Tools 10.3.7 or later

Zebralette 2.9.3 (revision 12092)
Native M1 ARM support
• Native support for Apple Silicon chips (M1)
• Improved GUI performance (Mac only)
• Support for Oddsound MTS-ESP
• Improved handling of junction links on Windows
• Preset list scroll direction preference

Fixed Bugs:
• Fixed some old Zebralette presets not loading in Zebra2
• Fixed multiple things in preset browser
• Fixed crash when loading script presets (e.g. Randomizer)
• Fixed rare crash on project reload
• Fixed audio clicks when switching presets

Known Issues:
• Context menus need plugin focus to work (Apple issue)

Special Notes:
• AAX support on Mac removed temporarily (will come back in next update)
• Updated minimum requirements, CPU needs to support SSE4.2 instruction set
• Linux: minimum required glibc version is 2.28 (otherwise plugins won’t show up)
• macOS 32-bit support discontinued

U-he Zebralette v2.9.3 AAX AU x86 x64 VSTi VST3 WiN MAC LiNUX [FREE]–FREE-/

U-he Podolski v1.2.3 WIN MAC LiNUX [FREE]

U-he Podolski v1.2.3 WIN MAC LiNUX [FREE]

U-he Podolski v1.2.3

FREE | 30 August 2021 | 105 MB

.:AAX, AU, x86, x64, VSTi, VST3:.

Podolski: Created in 2005 and still going strong. Podolski is a free, straightforward, CPU-efficient virtual analogue synthesizer. One oscillator, one filter, one envelope and an arpeggiator / sequencer. Simple, but with a few tricks up its sleeve. Create high quality sounds with ease.

• Oscillator with variable symmetry (sawtooth to triangle, PWM) and glide
• Polyphonic (up to 16 voices), mono, legato and arpeggiator modes
• 4 envelope modes: ADSR or HDSR, linear or exponential. Sustain has Fall/Rise control
• 2 LFOs: one global, one per voice. Absolute time or host sync, multiple waveforms
• Multimode filter: lowpass, bandpass or highpass with drive and FM
• Combination arpeggiator / 16-step sequencer with extra modulation source
• 2 built-in effects: stereo delay, chorus / flanger
• Resizable UI from 70% to 200%
• Skinnable UI
• Global preferences page
• MIDI learn page and editable list
• Over 300 factory presets
• NEW in v1.2.3: Support for Oddsound MTS-ESP

• Apple – Mac OS X 10.9 or newer
• Windows – 7 or newer
• Linux

Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display
Modern CPU required:
• Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
• Mac: Intel Nehalem or newer, Apple M1
• Linux: glibc version 2.28 or newer

NKS-readyPodolski is Native Instruments NKS-ready and compatible with Maschine and Komplete Kontrol hardware.

Podolski 1.2.3 (revision 12092)
Native M1 ARM support
• Native support for Apple Silicon chips (M1)
• macOS Big Sur compatibility
• Improved GUI performance on Mac
• Support for Oddsound MTS-ESP
• Improved handling of junction links on Windows
• Improved soundset installation
• Preset browser bank name support

Fixed Bugs:
• Fixed LFO free-running in single trigger mode
• Fixed notes to be restricted to MIDI note range to prevent random audio glitches
• Fixed global transpose not working in arpeggiator mode
• Fixed crash when loading script presets (e.g. Randomizer)
• Fixed rare crash on project reload
• Fixed audio clicks when switching presets
• Various framework fixes and improvements

Known Issues:
• Context menus need plugin focus to work (Apple issue)

Special Notes:
• AAX support on Mac removed temporarily (will come back in next update)
• Updated minimum requirements, CPU needs to support SSE4.2 instruction set
• Linux: minimum required glibc version is 2.28 (otherwise plugins won’t show up)
• macOS 32-bit support discontinued

U-he Podolski v1.2.3 WIN MAC LiNUX [FREE]


Please, rate your DAW

Other polls...