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U-HE Everything Bundle 2022 WiN MAC LiNUX-R2R

U-HE Everything Bundle 2022 WiN MAC LiNUX-R2R

U-HE Everything Bundle 2022

R2R | 17 Jan 2023 | WiN: 481.4MB | LiNUX: 379.5MB | MAC: 1.05GB

Our everything bundle includes, unsurprisingly, all the commercial plug-ins we have in our catalog. You will receive six synths and seven effects—everything you need to kickstart your music production and sound design.

In the bundle
Synthesizers:
ACE
A powerful introduction to modular virtual analogue synthesis.

Bazille
Our monster modular system.

Diva
Stunning analogue sound modelled on classic synths.

Hive 2
Sleek, streamlined, supercharged.

Repro
Reverent emulations of two classic analogue synths.

Zebra Legacy Updated
Zebra2/ZebraHZ plus our paid Zebra2 soundsets

Effects:
Twangström
Spring Reverberator.

Colour Copy
Bucket Brigade Delay.

Uhbik
Subtle to spectacular suite of 9 effects.

Presswerk
Compression with musical soul.

Satin
Tape emulation / construction kit.

Filterscape
Dynamic filter and sound mangling.

MFM2 Updated
Ultra-flexible delay.

Enjoy, the true [reverse] kgn is here! The kgn generates name from the valid licenses. It also supports old type license for Filterscape. Everything. Is. Here.

INFO/DEMO/BUY: https://mage.si/L1YGn
U-HE Everything Bundle 2022 WiN MAC LiNUX-R2R
♪ Download ♪

U-he Satin v1.3.2 WiN MAC LiNUX-R2R

U-he Satin v1.3.2 WiN MAC LiNUX-R2R

U-he Satin v1.3.1 WiN MAC LiNUX

R2R/P2P | 11 Jan 2023 | WiN: 32.09MB | MAC: 44MB | LiNUX: 18MB

PLATFORM: AU/VSTi/VST3/AAX(MODiFiED)

We took a journey back to the Golden Age of magnetic tape recording. We wanted to recreate all kinds of tape machines in software, from the ground up. After many months spent on research, measurement and on developing an architecture that would be flexible enough for the job, we knew we had nailed it… But we couldn’t stop there: We added the old noise-reduction systems that were often (mis)used for timbral compression effects. Then more heads and a global feedback path, which made an uber-tape-delay and realistic ‘one-shot’ tape flanging possible. Users familiar with analogue recording gear should instantly feel at home with Satin, and digital afficionados will also learn to love the magic of tape – Satin invites you to explore and find out for yourself.

Features:

  • mix-and-match emulation spans all major historical developments in tape technology
  • control multiple instances from one panel – ‘glue’ multiple tracks together
  • high-quality: internal sample rate up to 384kHz, continuous tape speed control
  • all the ‘goodness’ of tape (saturation, transient-smoothing, HF compression etc.)
  • full control over the ‘badness’ (head-bump, wow&flutter, asperity noise, hiss etc.)
  • record / repro EQ standards (separately selectable), classic NR compander standards
  • extra FX modes: through-zero tape flanging, host-synchronizable 4-tap stereo delay

 

INFO/DEMO/BUY: http://mage.si/2dW8
U-he Satin v1.3.2 WiN MAC LiNUX-R2R
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U-he Repro-1 v1.1.2 WiN MAC LiNUX-R2R

U-he Repro-1 v1.1.2 WiN MAC LiNUX-R2R

Repro-1 v1.1.2 WiN MAC LiNUX

R2R/P2P | 11 Jan 2023 | WiN: 41.84 MB | MAC: 62 MB | LiNUX: 27 MB

Repro-1 dives into the past for analogue inspiration, reverently modelling a classic synth. Every detail of the original was captured using component-level modelling technology to create the most authentic model possible. All the subtle characteristics and quirks found in the original are present in Repro-1. Repro-1 is a fierce synth: hard working, raw sounding and immensely playable. At first glance Repro-1 is simple and intuitive, but the clean and classic design hides a deep feature set capable of a wide range of sounds.

Key Features:

  • authentic raw analogue sound
  • Component-level modelling of a classic monophonic synth
  • 2 oscillators: saw/pulse and saw/triangle/pulse, including combinations and pulse width modulation.
  • White noise generator
  • Mixer for the audio generators with feedback path for extra bass boost
  • Filter: 4-pole lowpass, capable of self-oscillation. Cutoff, Resonance, dedicated envelope and key tracking controls
  • Amplifier: ADSR envelope with curve trimmer
  • Modulation true to the original, plus an extra 2-slot matrix
  • LFO: saw/triangle/pulse, including combinations
  • Extra modulation sources: AR/ASR envelope adopted from the wavefolder effect, plus Trigger and Gate
  • Arpeggiator: up or up/down, latch mode
  • Sequencer: Two-patterns, step recording: Editable pitch/velocity, note/tie/pause status per step, max. 32-notes each pattern (or 64 notes when chained). Copy/paste and rotate functions, save/load presets
  • 5 built-in effects: wavefolder/distortion, delay/chorus, EQ/resonator, reverb, sonic conditioner/dynamics processor
  • 500 factory presets

 

Notes: * – modified AAX work only @ AudioUTOPiA release ProTools

INFO/DEMO/BUY: http://mage.si/F55M
U-he Repro-1 v1.1.2 WiN MAC LiNUX-R2R
🡳 Download 🡳

U-he Hive v2.1.1 WiN MAC LiNUX-R2R

U-he Hive v2.1.1 WiN MAC LiNUX-R2R

U-he Hive v2.1.1 WiN MAC LiNUX

R2R/P2P | 11 Jan 2023 | WiN: 73.9MB | MAC: 99 MB | LiNUX: 55 MB

Hive: lightweight synth, heavyweight sound Sleek, streamlined and super fast. Hive was built for speed. An effortless workflow, low cpu use and a single page interface means you can build your tracks in no time. Being ‘fast and simple’ does not mean sacrificing sound quality or creative control. Hive is packed with features, controls and enough flexibility to deliver stunning sounds. A lightweight synth with a heavyweight sound.

Features:

  • CPU-friendly VA synthesizer
  • Single page design
  • Each panel offers presets in a drop-down menu
  • Solo buttons for each oscillator and filter panel
  • Skinnable UI
  • Over 2700 factory presets
  • 3 different synth engine characters
  • 2 pairs of stereo oscillators and sub-oscillators with 9 different waveforms each
  • Polyphonic (up to 16 voices), duophonic, mono and legato modes
  • Up to 16× unison per oscillator
  • 2 multimode filters: lowpass, highpass, bandpass, bandreject or peaking
  • Flexible oscillator and filter routing
  • Common clock for arpeggiator and sequencer, with strict host-sync option
  • 2 LFOs with various shapes, sync options and unipolar switch
  • Extra vibrato oscillator
  • 2 pairs of ADSR envelopes, each stage can be individually modulated
  • Glide control, constant rate or constant time mode
  • 12-slot modulation matrix with 2 targets per slot, countless targets including all FX parameters
  • Drag and drop modulation assignment
  • 7 quality effects on board: distortion, chorus, delay, phaser, EQ, plate reverb, compressor
  • On-screen keyboard
  • Resizable UI from 70% to 200%
  • Arpeggiator with direction, order, octave and frame/restart controls
  • 16-step sequencer to drive notes or modulation
  • MIDI learn page and editable list
  • Global preferences page

 

INFO/DEMO/BUY: http://mage.si/thqU
U-he Hive v2.1.1 WiN MAC LiNUX-R2R
🡳 Download 🡳

ColourCopy v1.0.1 WiN MAC LiNUX-R2R

ColourCopy v1.0.1 WiN MAC LiNUX-R2R

U-he ColourCopy v1.0.1 WiN MAC LiNUX

Team R2R/P2P | 11 Jan 2023 | WiN:25 MB | MAC: 37 MB | LiNUX: 12 MB

(Win32/64; AAX*, VST3, VST)

A virtual analog effect inspired by classic bucket-brigade delays (bbd), but extended with modern features. We called our new baby “Colour Copy” because it can deliver the kind of colouration people still love in classic bbd units, but with a wider variety of colours. Colour Copy started life as the little delay unit called “Lyrebird” we built into Repro-1, but the sound was too good not to be developed further and become an fx plug-in.

Features:
Colours
During development we soon realized that we could capture the essence of the entire range of classic bucket brigade delays – from the low-range rumbling, slowly evolving delays to the highly resonant, screaming characters. A single knob lets you continuously blend between the five finely-tuned “colour” macros. The differences may be subtle, but each one is rich in detail. In addition to obvious differences in frequency bandwidth, each comes with its own noise and dynamic characteristics, frequency loss over time, and several other qualities. The Saturation knob controls how prominent or subtle those characteristics should be, in case you want to dial back the colouration to better fit in the mix. Finally, a Brightness knob lets you adjust the bandwidth.

Flexibility
Colour Copy is capable of a huge variety of different delay-based effects. With delay times ranging from under a millisecond to several seconds, you can create anything from comb-filter and flange/chorus effects to regular ping-pong delays and longer “looper” effects. The routing options let you mix or swap the input and feedback signals independently or even invert the feedback phase for various phase cancellation effects when delay times are set very short. Additionally, unlike hardware BBD units, Colour Copy’s left and right output “taps” can be placed anywhere along the delay lines. This feature lets you move echos independently “forward in time” for e.g. ping-pong or “rushing” delays as well as various stereo chorus or flanger effects. You never knew you’d want three different ways to create a ping-pong effect!

Animation
Colour Copy comes with a stereo lfo that can be used to modulate either the delay rate, the tap positions or the delay amplitude. With a range of 0.05Hz to 20Hz (as times: 20s to 50ms) the lfo can create chorus, vibrato and tremolo effects. Crank up the modulation depth for deep pitch-shifting. An envelope follow signal derived from the input signal can be used to modulate the lfo frequency and depth, adding realtime dynamics to the effects.

Colour Copy comes with the obligatory ducking compressor, but with a unique twist: You can select whether to duck the entire delay output or just the feedback signal. This latter option leaves the very first delay unaffected, preserving the overall stereo “space” while preventing the sonic mayhem that high regeneration often causes.

Performance Control
Some people like to perform on their bbd hardware, pitching the regeneration up and down by twisting the rate knob. We took Colour Copy a step further in this direction by adding a pair of creative features: Firstly, a freeze button that loops the contents of the delay buffer for as long as you like. Secondly, midi key control so that you can play Colour Copy like a mono synth – each octave up doubles the delay rate.

INFO/DEMO/BUY: https://mage.si/AF5P7
ColourCopy v1.0.1 WiN MAC LiNUX-R2R
🡳 Download 🡳

U-He Twangstrom v1.0.1.12092 WiN MAC LiNUX

U-He Twangstrom v1.0.1.12092 WiN MAC LiNUX

U-He Twangstrom v1.0.1 WiN MAC LiNUX

Team R2R/P2P | 11 Jan 2023 | WiN: 25.8MB | MAC: 37 MB | LiNUX: 12 MB

(Win32/64; AAX*, VST3, VST)

A flexible spring reverb box-of-tricks. If you’re familiar with Bazille, you might already have come across its built-in spring unit. We took that one, then modelled two more reverb tanks, paired it with drive section, filter stage, envelope, and mod matrix. It emulates a hand-picked selection of the most popular units you will find in classic guitar and instrument amplifiers, recreating the odd character of real springs.

INFO/DEMO/BUY: https://mage.si/OuH20
U-He Twangstrom v1.0.1.12092 WiN MAC LiNUX
🡳 Download 🡳

Presswerk v1.1.5.12092 MAC LiNUX

Presswerk v1.1.5 LiNUX MAC

P2P | 11 January 2023 | MAC: 56.9 MB | LiNUX: 29 MB

…: Dynamics Processor :…

Presswerk is a powerful dynamics processor with a musical soul. An easy-to-use interface and a rich feature set give you hands-on control over all details of your sound. Presswerk doesn’t emulate famous compressors, it blends the warmth of classic hardware models with developments that are only possible in the digital domain.

Features:
Presswerk has all the features you expect in a compressor…
– Sidechaining: use ducking to create more space in your mixes, or get creative with keying and pumping effects.
– NOTE: For help on how to get Presswerk sidechained in your DAW, please read these instructions compiled by our KVR forum members.
– Adjustable compression curve and envelope. Find the best settings, get the most out of your audio using the soft knee, compression ratio, attack and release and other controls.
– Loud. Oh yes, Presswerk is more than capable of making your tracks louder!
– Soft clip. Roll off those harsh peaks and avoid distortion when output levels get too high.
…plus what we added to enhance Presswerk’s capabilities:
– 6 special views for better workflow: Drum Compressor, Vocal Compressor, M/S Program Compressor, Easy Compressor, Bus Compressor, Limiter
– M/S mode. More detailed stereo signal processing
– DPR: Presswerk’s Dual Phase Rotator option applies a radio broadcaster’s trick to reduce unwanted asymmetries in the signal. It smears phases, increases headroom a little and adds bass ‘oomph’.
– Saturation. This is where Presswerk really shines – adding colour and character to your audio. Apply Saturation sparingly for subtle warmth and transient-taming, or crank it up to create tape overdrive-like effects.
– Internal parallel compression. The Mix controls let you blend the compressed and uncompressed signals. This helps preserve some of the original, natural dynamics.
– Variable detection topologies. With Presswerk you can select one of three detection modes FF (feed-forward), FB (feed-back) or INT (interactive):
– Feed-forward is modern and ‘surgical’, it tracks the input very precisely.
– Feed-back is ‘musical’, loose-sounding and forgiving – like classic hardware.
– Interactive continuously analyzes the signal and blends FF and FB accordingly.
– adjust and store global preferences
– new MIDI learn controls

INFO/DEMO/BUY: http://mage.si/K32s
Presswerk v1.1.5.12092 MAC LiNUX
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