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Ableton Live Suite v11

Ableton Live 11 Suite v11.1.6 U2B INTEL macOS-HCiSO

Ableton Live Suite v11.1.6 macOS

Team HCiSO | 17 June 2022 | U2B: 2.90GB | iNTEL: 2.49GB

Create bolder sounds with Live’s new devices. Stay in the flow with a multitude of workflow improvements. Do even more away from the computer with Push. Build your sound with a curated library. And get the unlimited potential of Max for Live, seamlessly built in.

What’s new in Live 11
Create your perfect take Take recording and comping
Live organizes multiple passes of an audio or MIDI performance into individual takes. Pick the best moments of each performance and combine them to create your perfect take. Or approach sound design in a new way by splicing together random samples from your library.

Linked-track editing
Link two or more tracks to edit their content simultaneously. This makes editing multi-tracked instruments or performances with multiple musicians easy and fast whilst keeping everything in time across tracks. This feature also works for MIDI tracks.

Add more feeling to your music Use your MPE-capable controller
Plug in your MPE-capable controller and immediately add bends, slides and pressure for each individual note in a chord. Add subtle expression variations, morph between chords and create evolving sonic textures.

What is MPE?
MPE stands for MIDI Polyphonic Expression. This way of using MIDI allows MPE-capable devices to control multiple parameters of every note in real time for more expressive instrumental performances.

Experiment with new devices Hybrid Reverb
Hybrid Reverb combines convolution and algorithmic reverbs. Place your sounds in any space, from accurate real-life environments to those that defy physical reality. Use the algorithmic side to add control and modulate the reverb tail, run it in parallel or in series with the convolution side, or play Hybrid Reverb like an instrument for real-time sound design.

Spectral Resonator
Breaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways. The MIDI sidechain input also allows musicians to process material in key and even play the device as if it were a polyphonic instrument.

Spectral Time
Transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted and reverb-like effects. The Freeze function captures and holds a slice of audio – either free-running or in time with the beat – for stuttered, glitched and washed-out effects.

PitchLoop89
Create jittery glitch effects, delayed digital shimmers and outlandish vibrato with this Max for Live pitch shifting device created in collaboration with Robert Henke and inspired by the Publison DHM 89 – an early digital effects processor. It’s a flexible tool to add character to sounds in the studio, or for in-the-moment experimentation onstage.

Inspired by Nature
Six playful instruments and effects created in collaboration with Dillon Bastan that use natural and physical processes as their inspiration.

Do more on stage
Tempo Following

Live listens to and adjusts its tempo based on incoming audio in real time, making it a dynamic part of the band instead of the tempo source that everyone has to follow. When you DJ, you can even turn Live into a tempo-synced FX box.

Macro Snapshots
Store the state of your Macros for later recall – perfect for creating instant variations to your sounds or builds and drops during performance.

Rack improvements
Configure your Racks to have between 1 and 16 Macros. Randomize the state of your Macros with the randomization button. Map this control to MIDI and perform drastic changes in real time to surprise your audience and yourself.

Be unpredictable
Note chance

Set the probability that a note or drum hit will occur and let Live generate surprising variations to your patterns that change over time.

Velocity chance
Define ranges for velocity probability for subtle, humanized variations in the dynamics of your patterns.

Do more with Follow Actions
Follow Actions can now be linked to the clip length, making it faster to create interesting sequences of clips. Scene Follow Actions let you create evolving arrangements. You can also set Follow Actions to jump to specific clips and enable and disable Follow Actions globally.

Work with new sounds
New instruments

Created in collaboration with SPTF Audio, these three Instrument Packs bring the dynamic chamber ensemble textures to any production.

Live 11.1.6 Release Notes:
– https://www.ableton.com/en/release-notes/live-11/


INFO/DEMO/BUY: https://mage.si/J7dQ
Ableton Live 11 Suite 11.1.6 U2B INTEL macOS-HCiSO
🡳 Download 🡳

Ableton Live Suite 11

Ableton Live 11 Suite v11.1.6 macOS

Ableton Live 11 Suite v11.1.6 MAC

macOS | 17th June 2022 | Intel 2.73 GB | Universal 3.03 GB

Create bolder sounds with Live’s new devices. Stay in the flow with a multitude of workflow improvements. Do even more away from the computer with Push. Build your sound with a curated library. And get the unlimited potential of Max for Live, seamlessly built in.

What’s new in Live 11
Create your perfect take Take recording and comping
Live organizes multiple passes of an audio or MIDI performance into individual takes. Pick the best moments of each performance and combine them to create your perfect take. Or approach sound design in a new way by splicing together random samples from your library.

Linked-track editing
Link two or more tracks to edit their content simultaneously. This makes editing multi-tracked instruments or performances with multiple musicians easy and fast whilst keeping everything in time across tracks. This feature also works for MIDI tracks.

Add more feeling to your music Use your MPE-capable controller
Plug in your MPE-capable controller and immediately add bends, slides and pressure for each individual note in a chord. Add subtle expression variations, morph between chords and create evolving sonic textures.

What is MPE?
MPE stands for MIDI Polyphonic Expression. This way of using MIDI allows MPE-capable devices to control multiple parameters of every note in real time for more expressive instrumental performances.

Experiment with new devices Hybrid Reverb
Hybrid Reverb combines convolution and algorithmic reverbs. Place your sounds in any space, from accurate real-life environments to those that defy physical reality. Use the algorithmic side to add control and modulate the reverb tail, run it in parallel or in series with the convolution side, or play Hybrid Reverb like an instrument for real-time sound design.

Spectral Resonator
Breaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways. The MIDI sidechain input also allows musicians to process material in key and even play the device as if it were a polyphonic instrument.

Spectral Time
Transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted and reverb-like effects. The Freeze function captures and holds a slice of audio – either free-running or in time with the beat – for stuttered, glitched and washed-out effects.

PitchLoop89
Create jittery glitch effects, delayed digital shimmers and outlandish vibrato with this Max for Live pitch shifting device created in collaboration with Robert Henke and inspired by the Publison DHM 89 – an early digital effects processor. It’s a flexible tool to add character to sounds in the studio, or for in-the-moment experimentation onstage.

Inspired by Nature
Six playful instruments and effects created in collaboration with Dillon Bastan that use natural and physical processes as their inspiration.

Do more on stage
Tempo Following

Live listens to and adjusts its tempo based on incoming audio in real time, making it a dynamic part of the band instead of the tempo source that everyone has to follow. When you DJ, you can even turn Live into a tempo-synced FX box.

Macro Snapshots
Store the state of your Macros for later recall – perfect for creating instant variations to your sounds or builds and drops during performance.

Rack improvements
Configure your Racks to have between 1 and 16 Macros. Randomize the state of your Macros with the randomization button. Map this control to MIDI and perform drastic changes in real time to surprise your audience and yourself.

Be unpredictable
Note chance

Set the probability that a note or drum hit will occur and let Live generate surprising variations to your patterns that change over time.

Velocity chance
Define ranges for velocity probability for subtle, humanized variations in the dynamics of your patterns.

Do more with Follow Actions
Follow Actions can now be linked to the clip length, making it faster to create interesting sequences of clips. Scene Follow Actions let you create evolving arrangements. You can also set Follow Actions to jump to specific clips and enable and disable Follow Actions globally.

Work with new sounds
New instruments

Created in collaboration with SPTF Audio, these three Instrument Packs bring the dynamic chamber ensemble textures to any production.

Live 11.1.6 Release Notes
– https://www.ableton.com/en/release-notes/live-11/


INFO/DEMO/BUY: https://mage.si/J7dQ
Ableton Live 11 Suite v11.1.6 macOS
🡳 Download 🡳

AraldFX DKS Pro v1.7 VSTi AU UB WiN MAC

AraldFX DKS Pro v1.7 VSTi AU UB WiN MAC

DKS Pro v1.7 WiN MAC

AiR/ArCADE | 01/2009 | 2.92 MB

AraldFX offers a drum machine that takes its inspiration from many sources. It’s been said that old is the new new. This is especially true in the music industry, where instrument manufacturers indulge their nostalgic instincts with a steady stream of retro-inspired gear. While much of the emulative attention has been focused on old analogue synths and tube-laden outboard processors, there’s been no small demand for vintage drum machines. Indeed, the trusty Roland TR-808 may well have been the first ‘chic antique’ on the second-hand music tech market, while its successor, the TR-909, is equally desired, particularly by dance producers. Unfortunately, vintage instruments command lofty prices and an endless supply of patience. This being the case, drum synths (both hard and soft) have undergone a sort of resurrection in recent years.

Sampling techniques
Most modern drum machines take one of two forms. The majority are sample-based, but the problem with samples is that they’re inherently ‘static’. The other type of drum machine, in which sounds are derived from analogue synthesis, is compromised by what is a relatively simplistic tone generation method. In order to cover more ground, some instruments use both sampling and synthesis to generate their sounds. Look a little more closely, though, and you’ll find that it’s not just analogue synthesis that’s useful for creating percussion sounds. Physical modelling, for instance, formed the basis of Korg’s Wavedrum (one of the first modelled instruments ever to be released) and FM synthesis can also be called upon to create interesting drum sounds. AraldFX are well aware of the power of all of these techniques and have combined them into a single instrument: DKS Pro. The developers carefully studied many much-loved vintage drum machines, and their new plug-in is a hybrid beast, featuring the best of what each synthesis technique has to offer.

Hands on
DKS Pro’s layout is familiar: eight pads are splayed across the bottom of the GUI, while a voice editor above displays the parameter settings for the currently selected pad. Each pad has an identical architecture: a pair of analogue-style oscillators with selectable waveforms, a noise generator and a filter. Oscillator 1 gives you a choice of three different waveforms, while Oscillator 2 can modulate Oscillator 1 for FM effects.

The FM facilities go far beyond the usual analogue-style FM, though – you’re given control over the frequency, ratio and phase. Both oscillators have two-stage envelope controls and velocity modulation is independently addressable for each. DKS Pro’s filter is of the multimode variety and has a two-stage envelope built in. In addition, you can select the type of envelope you want to use (there’s even one specifically for claps, cracks and the like). No modern drum machine would be worth its salt without built-in bit-reduction effects, and they’re present and correct in DKS Pro. You can select 12-, 8- or 4-bit playback and add some tasty fuzz to the lot with the dedicated distortion effect.

Destructive effects aren’t the only ones on offer. You’ll also find compression and ambience and – unusually for a drum machine – a multi-tap delay. This features a LFO for bizarre modulations. Now, we did say that DKS Pro offered physical modelling, did we not? Don’t get too excited, though, as this is limited to a modelled drum ‘shell’: you can choose the size of the shell and the level, but that’s all. We were hoping to find a full-on acoustically modelled oscillator built entirely on exciters and resonators, but sadly, there’s nothing of the sort. However, resonators are represented by the shell model, and depending on the sound being pumped through it, it can add a lot of life to the tone. The shell functions are most obvious when applied to snares, percussion and other frequency-rich timbres.

In use
There are a lot of drum machines on the market, but few feature as many sound generation techniques as DKS Pro. What’s more, the included modelling features have whetted our appetites for more – we would love to see an acoustically modelled oscillator. That said, there’s plenty going on here already, and the interface is certainly easy to navigate. We did suffer from a few audio ‘blow ups’ when we were scrolling through the included drum presets on our Intel iMac, but AraldFX are aware of this issue and say that a fix is in the works. On the whole, the sounds range from good to excellent. DKS Pro is not meant to replace your drum sampler, but if you have a taste for electronic percussion, it’s well worth a look.

The unusual parameters ensure that you’ll be able to carve out your own sonic identity and there’s definitely scope for DKS Pro to be developed further.

INFO/DEMO/BUY: DiSCONTiNUED
AraldFX DKS Pro v1.7 VSTi AU UB WiN MAC
🡳 Download 🡳

BeatSkillz Slam

BeatSkillz Slam V2 v1.0 R2 macOS-R2R

Slam V2 v1.0 R2 macOS

Team R2R | 22 March 2022 | 143.0MB

 PLATFORM : AU/VST3/AAX

SLAM2 is designed to hide the complex and great-sounding processing behind the scenes and present a simple and inspiring Interface that is very intuitive and has all controls needed to “Phatten” Channel, Drums, Vocals, Synths, or an entire mix with just a few controls. Behind this simple interface lies very very complex processing.


INFO/DEMO/BUY: https://mage.si/ZFxU
BeatSkillz Slam V2 v1.0 R2 macOS-R2R
♪ Download ♪

Firechild v1.5.0 AAX AU VST3 x64 WiN MAC-R2R

Firechild v1.5.0 AAX AU VST3 x64 WiN MAC-R2R

Firechild v1.5.0 WiN MAC

Team R2R | 22 March 2022 | WiN: 39.9MB | OSX: 248.0MB

The Firechild includes 4 models of the Vari-Mu Compressor ranging from Tube Versions (A/B/C) to a transparent version accurately sampled and emulated from the originals of the 1950s. Use this for the Master, or individual tracks, you will be pleasantly surprised!

What’s Firechild ?
The Firechild aims to emulate the characteristics of the King of Compressors from the 1950s. The vintage units are variable-mu type compressors, which use the vacuum tubes for reduction of gain right in the audio signal path, (no re-routing to a compression circuit) Given its primary purpose as a protective device in broadcast or vinyl cutting environments, in which the limiter was required to catch any unwanted signal peaks reliably, these fast attack times were one of the compressors most important features. Our Plugin features not 1, but 4 models including a “clean version” – off mode for the convolution, which presents a “non-colored” compression characteristics version as well.

Compatibility:
– Intel i3 / AMD Ryzen or equivalent
– 2 GB RAM
– Screen resolution: 1024×768 – VST3, or AAX 64-bit host
– Windows 10 or later, 64-Bit.

INFO/DEMO/BUY: https://mage.si/C0w90
Firechild v1.5.0 AAX AU VST3 x64 WiN MAC-R2R
♪ Download ♪

Locness 2 v1.x.x WiN MAC-R2R

Locness 2 v1.x.x WiN MAC-R2R

Locness 2 v1.x.x WiN MAC

TEAM R2R | 22 March 2022 | WiN: 11.6 MB | MAC: 83 MB

PLATFORMS: x64 – AU/VST3/AAX

Drums…, the most crucial part of of your mix that can make or break a track. For decades pro engineers have used various combinations of compressors, pre-amps ,eq’s and saturation to make styles of sounds that stand out. Not just a compressor or eq, Loc-Ness is the mystical plugin that brings all the right controls and colors for drums to your workstation . This is a dedicated channel designed for processing Individual Drum Hits, The room sound, and the entire drum bus.

INFO/DEMO/BUY: http://mage.si/ox7o
Locness 2 v1.x.x WiN MAC-R2R
♪ Download ♪

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