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Big Time Jump Up WAV-FANTASTiC

Big Time Jump Up WAV-FANTASTiC

Big Time Jump Up

FANTASTiC | 04 October 2021 | 211 MB

‘Big Time Jump Up’ outstanding sample pack. Expect to find amazing Drum Loops, Percussion, Strange Vocal Clips all meshed together with that real feel. Big Time Jump Up contains a unique set of tools for production or remixing. Coming correct is back with another essential sound collection for modern Drum n Bass. Big Time Jump Up is 100% Royalty-Free and will work in any modern DAW. You can use this pack with no fuss or hassles. If you seek a really well made solid set of elements to mesh into your next track without breaking the bank, head to our home page and rage on that demo.

Product Details:
• 25 Dirty Bass Loops
• 30 Bass Shots
• 14 Syn Loops
• 20 Synth Shots
• 21 Vocals
• 50 Drum Loops
• 50 Percussion Loops
• 10 Top Loops
• 80 Drum Shots
• 15 Impacts
• 15 Rev FX
• 64 Percussion Shots
• 10 Risers
• 10 Wind Loops
• 100% Royalty-Free

Big Time Jump Up WAV-FANTASTiC
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SYNTHiC4TE | May 10 2014 | 1.11 GB

VOTOX consists of over 250 categorized otherworldly sounds and weights over 2GB. It comes as a multiformat download including KONTAKT 4 (NKI) Instruments, SF2 Source Soundfonts + Bonus Files as well as optional SFZ Instruments. The total download size is around 4 gigabyte. VOTOX is ideal for those looking for interesting synthetic textures, ambient sounds and hard-to-define instruments for movie scoring.

Notes: This is not the new one VOTOX XS, Mount or burn ISO to a DVD

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Krzeszow Poland HAUPTWERK

Krzeszow Poland HAUPTWERK

Krzeszow Poland HAUPTWERK

P2P | 01 November 2021 | 11.33 GB

The instrument was built in 1732-1737 by Michael Engler. A representative instrument of the Silesian organbuilding has 3 manuals and a pedal, alltogether 50 stops. The Positiv occupies the lowest manual and is positioned in two small cases in the balustrade. One case is dedicated for the C part of the windchest the other for the D part. Hauptwerk (2nd manual) and Oberwerk (3rd manual) and the Pedal are located in the main case which spans wide through the full width of the church nave. The Oberwerk occupies the center of the case, Hauptwerk is divided into the C and D side to the left and to the right of the Oberwerk, and the Pedal is located in the two side towers and at the back of the organ case. All the three divisions are perhaps surprisingly situated on the same horizontal level, although this design is rather common in the Silesian (and Central-Germany) organ building of the period. The “Werk-Prinzip” was not abandoned, but restructured. Perhaps, the general idea of this design was to achieve more homogeneous sound.

The instrument bears the typical characteristics of the Silesian organs. Rich in fonds, well supplied with aliquot stops, crowned by the mixtures with a tierce ranks. There are two undulatings stops on the manuals (Vox humana and Unda maris). The reeds are few in number in manuals, but they give a robust fundament to the Pedal, starting with Posaune 32′. The sonority of the full chorus of the instrument is determined by the 16′ fundament of the Hauptwerk (there are three 16′ stops on HW) on one side and by the 8 (or 12 if coupled) ranks of mixtures on the other side of the sound spectrum. The voicing is round and mild. The manual reeds are specific in color. The Trumpet is soft, almost Oboe-like, while the Positiv reed has the timbre similar to a somewhat thicker Regal. The extensive use of strings (Gamba, Salicional, Traveur) is also a mark of the Eastern organbuilding tradition.

One technical peculiarity is preserved in Krzeszow: the keyboard of the Positiv is movable, allowing a transposition down a whole tone, thus allowing the Positiv to be used in Kammerton with other “chamber” instruments of the period. In addition to the Positiv transposition, there are also 4 Pedal stops which may sound in Kammerton.

In 1873-1874 the instrument was partially rebuilt by Schlag, the modifications affected mostly the console (introduction of the Barker machine etc.) but fortunately only few stops were removed or altered in voicing. The Positiv lost its aliquotes, Hauptwerk was given two more reed stops on a new windchest, several stops in Pedal were adjusted.

In 2005, the restauration comittee decided to go back to the original Michael Engler state of the instrument. The restauration work has been done by the organbuilders Jehmlich from Dresden in 2006-2008. As the result, the instrument has now the identical composition as when finished by Michael Engler in the 18th century.

The value of the instrument is underlined by the fact that it is probably the best preserved Michael Engler’s instrument, practically the only one surviving up to the present substantially unaltered. The other extant big instrument of the organbuilder, the St. Moritz organ in Olomouc (built 1745), was subject to extensive modifications in the course of 20th century.

Here is the Wet version containing only the front stereo channel
No noise samples (key and register banging)

repins folder OrganDefinitions and OrganInstallationPackages in Hauptwerk folder HauptwerkSampleSetsAndComponents ,
or select the folder for download distribution ( the final folder ) to avoid copying

ATTENTION! For the correct sound of the upper keys of the keyboards, you must set the Pitch menu to Equal temperament
or load any temperament file from the Pitch menu – Load temperament

In addition, several transmission (that is, borrowed from another keyboard) registers have been added to the organ.These
registers do not occupy RAM and do not have a graphical clickable interface,
but can be assigned to midi switches, midi notes and a computer keyboard
In the list, such registers are designated TransStop
TransStop rp Quintadena 16 (hw)
TransStop rp Unda maris 8 (hw)
TransStop rp Nachthorn 4 (hw)
TransStop hw Trompet 8 (ow)
TransStop ow Burdonflaut 16 (hw)
TransStop ow Unda maris 8 (hw)
TransStop ped Rohrflaut 4 (ow )
TransStop ped Flaut minor 2 (ow)
TransStop ped Trompet 4 (ow)

Krzeszow Poland HAUPTWERK
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