Attention Sign

AdBlock Detected

We get it, advertisements are annoying!

Sure, ad-blocking software does a great job at blocking ads, but also blocks some useful and important features of our website. For the best possible site experience please take a moment to disable your AdBlocker.

TAL-BassLine-101 AU AAX VST VSTi x86 x64 WiN MAC-R2R

TAL-BassLine-101 v3.5.3 WiN MAC LiNUX-R2R

TAL-BassLine 101 v3.5.3

Team R2R | 2021.09.13 | WiN+MAC+LiNUX: 11.7 MB

TAL-BassLine-101 is a monophonic bass synthesizer with a classic analogue sound. The GUI is intuitive and easy to use. It produces the raw sound you know from analogue devices without any effects. BassLine has a very smooth and authentic analogue sounding 24dB zero feedback delay resonance low pass filter. Especially designed and calibrated for extreme settings. It sounds even smooth with a lot resonance and a high oscillator pitch. Details as envelope transitions between overlapping notes are carefully modeled. The oscillators do not use any samples. BassLine generates all wave-forms in real time.

 

Features:

  • Self resonating zero feedback delay filter (24dB LP).
  • Calibrated and tuned after our hardware device.
  • Midi learn / automation for all controls.
  • Alias free oscillators for an authentic sound also @ 44’100Hz sampling rate.
  • Arpeggiator with different sync modes (host, midi clock, not on).
  • Original (RC) and linear portamento mode.
  • Built in arpeggiator with some additional modes.
  • Powerful step sequencer with up to 64 steps and recording option.
  • 6 voice poly mode.
  • Sequencer MIDI export with drag and drop.
  • Sequencer / arpeggiator MIDI out for VSTi version.
  • De-Clicker mode for slower envelopes :/
  • More than 300 presets.
  • All sample rates supported.

 

INFO/DEMO/BUY: http://mage.si/BqSZ
TAL-BassLine-101 v3.5.3 WiN MAC LiNUX-R2R
🡳 Download 🡳

TAL-Dac AU VST AAX x86 x64 WiN MAC-R2R

TAL-Dac AU VST AAX x86 x64 WiN MAC-R2R

TAL-Dac v1.6.2 R2R

Team R2R | 2021.09.13 | 21.5 MB

TAL-DAC is not an ordinary bit crusher or sample rate reducer. The plug-in is based on the TAL-Sampler sound engine. It emulates a sample recorded on a low sample rate with reduced bit depth and upsamples it to the desired host sample rate. It’s possible to choose different algorithms for the upsampling process to emulate the characteristics of different samplers. A low and high shelf EQ together with a AMP Drive in the reconstruction section allow it to approximate the sound character of different sampler AMP’s. Also it is possible to emulate hot recorded signals using the input volume knob. This plug-in can be used on a wide range of audio material, but it’s especially useful and authentic on drum sounds.

Features:
– Recording stage with input volume control and soft clipper (adds odd harmonics).
– Variable recording sample rate (1000Hz-44100Hz).
– Variable recording bit-depth (4bit-16bit) with different algorithms (mu-law, mu-law delta, linear).
– Reconstruction section with different reconstruction methods (hold, variable, linear, S1000/sinc).
– Very steep reconstruction filters (optional).
– AMP drive (add’s even and odd harmonics to the signal).
– A high- and low shelf filter (12dB).
– All non-linear components are 8x oversampled to avoid aliasing.

INFO/DEMO/BUY: http://mage.si/32qy
TAL-Dac v1.6.2 WiN MAC LiNUX-R2R
🡳 Download 🡳

TAL-DUB-X v1.8.2 WiN MAC LiNUX-R2R

TAL-DUB-X v1.8.2 WiN MAC LiNUX-R2R

TAL-Dub-X v1.8.2 R2R

Team R2R | 2021.09.13 | 21.74 MB

TAL-Dub-X is a remake of our popular original freeware TAL-Dub plug-in with a lot of additional features and AAX, OSX 64bit support. TAL-Dub-X is no emulation of a specific hardware delay effect and it has its own special sound. Don’t expect one of the very clean digital delays. An important part of the delay is a special saturation stage and a high quality low pass filter with resonance setting. This makes the delay suitable for endless delay effects. It’s possible to use MIDI automation to control the parameters.

TAL-DUB-X v1.8.2 WiN MAC LiNUX-R2R

Features:

  • Drive knob controls saturation.
  • High quality resonance filter..
  • High pass filter..
  • Delay time up to 2 seconds.
  • Host tempo sync.
  • TAP button.
  • Feedback and POST filter routing.
  • PING PONG mode.
  • Stereo triangle LFO modulation for delay time and resonance filter.
  • MIDI LEARN for easy automation.
  • Useful presets included.
  • Accurate meter.

 


INFO/DEMO/BUY: http://mage.si/1MbO
TAL-DUB-X v1.8.2 WiN MAC LiNUX-R2R
🡳 Download 🡳

Speedrum v1.0.7.1 WiN MAC LiNUX-R2R

Speedrum v1.0.7.1 WiN MAC LiNUX-R2R

Speedrum v1.0.7.1

Team R2R | 2021.09.16 | 22.11 MB

Speedrum is an MPC style drum sampler.

Designed for easy startup and fast workflow, but with powerful features if you need them. 32 pads with essential effects, and with 8 sample layers per pad.

Two layouts
16 pads layout A/B with view to all pad FX or 32 pads layout with one FX view at a time
– Mpc style pads layout
– Pads can be triggered by MIDI notes
– Multi-pad editing, copy and swap, delete, drag and drop…
– Multi-pad controls changing, including FX controls
– Midi-learn for every pad, save/load trigger maps

Resizable
Resizable GUI from 60% to 200% of default window size.
– Easy-to-use user interface
– Preferences for default behaviors
– Supported Saving and Loading of drum kits
– WAV, AIF, FLAC, MP3, OGG file format support
– In VST, VST3 and AU plugin format
– Written in native C++ code for high performance and low CPU usage

Main Pad controls
All essential controls for fast control: Mute, Solo, Volume, Pan, Pitch …
– All pads knobs parameters have midi-learn capability
– Voice Mode: Retrigger or Poly
– 8 “Cut” (choke) and “Cut By” groups, and Trigger pad
– Every pad can be set to one of 16 available stereo outputs
– 12 color to highlight a particular pad or a group
– Humanization of Velocity, Pitch, Time and Pan
– Volume and Pitch envelope for every pad

Essential FX
Four essential effects for further tuning a drum-pad
– Multiple types of a distortion
– Easy adjustable multimode filter
– VCA type compressor for percussive material
– Transient shaper
– Overall gain control and Hard clipper
– In an “all or one” layout

Sample Layers
8 sample layers for each pad with dedicated editor
– Every layer has essential controls plus Lowpass and Highpass filter
– Multiple layers playing Mode
– Rearrange layers with drag and drop
– Layers multi-editing

Waveform
Non-destructive editor, easily zoomable
– Waveform view of loaded sample
– Adjustable Start, End, Attack and Decay of sample
– Arrow buttons to cycle through all samples in the current folder
– Adjustable Velocity ranges in Velocity Mode

Browser
Integrated sample and drumkit browser
– With drag and drop sample loading
– Sample or Drumkit info
– 10 slots for favorite folders
– Sample preview capability

INFO/DEMO/BUY: https://mage.si/G42S4
Speedrum v1.0.7.1 WiN MAC LiNUX-R2R
🡳 Download 🡳

U-He Diva v1.4.5.12092 WiN MAC LiNUX-RET

U-He Diva v1.4.5 WiN

Team RET | 12 August 2021 | 132 MB

( AU/VST2i/VST3i/AAX )

DIVA – Dinosaur Impersonating Virtual Analogue Synthesizer. The oscillators, filters and envelopes closely model components found in some of the great monophonic and polyphonic synthesizers of yesteryear. Modules can be mixed and matched so you can build hybrids, but what sets DIVA apart is the sheer authenticity of the analogue sound. This comes at the cost of quite a high CPU-hit, but we think it was worth it: Diva is the first native software synth that applies methods from industrial circuit simulators (e.g. PSpice) in realtime. The behaviour of zero-delay-feedback filters when pushed to the limit clearly demonstrates the advantages of this groundbreaking approach.

Why She’s Hot!
– authentic, unrivaled analogue sound
– up to 40% less CPU-hit than version 1.0
– multithreading support for modern CPUs – more polyphony, less overload
– even bigger library of gorgeously organic presets
– resizable editor window, alternative skins available shortly
– the essence of 7 or 8 vintage synths for about 1% of the cost
– …and so much more!

Diva 1.4.5 (revision 12092)
Native M1 ARM support

Improvements:
•Native support for Apple Silicon chips (M1)
•macOS Big Sur compatibility
•Improved GUI performance on Mac
•Support for Oddsound MTS-ESP
•Improved handling of junction links on Windows
•Improved multi-core performance on Mac
•Switchable side panel designs
•Preset tags modernized
•Preset list scroll direction preference
•Improved soundset installation
•Preset browser bank name support
•Added strict host sync button to arpeggiator section

Fixed Bugs:
•Fixed possible stuck notes in Arpeggiator
•Fixed notes starting on same time stamp but different MIDI channel might not play
•Fixed notes getting stuck when resetting playhead in Logic 10.6
•Fixed Cakewalk setting instance parameters to default on project reload
•Fixed hold pedal sometimes stealing wrong voice
•Fixed crash when loading script presets (e.g. Randomizer)
•Fixed rare crash on project reload
•Fixed audio clicks when switching presets
•Various framework fixes and improvements

Known Issues:
Context menus need plugin focus to work (Apple issue)

Special Notes:
•AAX support on Mac removed temporarily (will come back in next update)
•Updated minimum requirements, CPU needs to support SSE4.2 instruction set
•Linux: minimum required glibc version is 2.28 (otherwise plugins won’t show up)
•Multi-core support is not optimized for Apple ARM chips
•macOS 32-bit support discontinued

INFO/DEMO/BUY: http://mage.si/Lf1M
U-He Diva v1.4.5.12092 WiN MAC LiNUX-RET
https://beelink.pro/47750/U-He-Diva-v1.4.5.12092-WiN-MAC-LiNUX-RET/

Zebra2 v2.9.3.12092 WiN MAC LiNUX-RET

Zebra2 v2.9.3.12092 WiN

TEAM RET | 12 August 2021 | 197 MB

( AU/VST2i/VST3i/AAX )

Zebra2 is a sound-design playground. A powerful, high quality (but still CPU friendly) sound engine together with numerous sound sculpting tools makes Zebra2 capable of a near-limitless range of new sounds and textures. A favourite amongst soundtrack composers, producers and sound designers, Zebra2 provides all the tools you need—the rest is up to you.

Although the possibilities are practically infinite, you will never be overwhelmed by needless complexity – Zebra’s adaptive interface only shows the modules you are actually using. It’s a fascinating playground for sound designers! That’s what Zebra is all about, that’s why it has become so popular. That’s why thousands of free presets are available online.

Changes in version 2.9.3
– Native support for Apple Silicon (M1)
– Support for Oddsound MTS-ESP
– Minimum SSE4.2 required in Intel/AMD based systems
– macOS: 32bit support discontinued
– Various minor fixes and improvements


INFO/DEMO/BUY: http://mage.si/k8fD
Zebra2 v2.9.3.12092 WiN MAC LiNUX-RET
https://beelink.pro/47749/Zebra2-v2.9.3.12092-WiN-MAC-LiNUX/

Bitwig Studio v4.0.1 x64 WiN MAC LiNUX

Bitwig Studio v4.0.1 x64 WiN MAC LiNUX

Bitwig Studio v4.0.1 x64

P2P | 11 August 2021 | WiN: 279 MB | LiNUX: 235 MB

Modern music production and performance.

Bitwig Studio 1 was hello, world! Version 2 brought program-wide modulators and CV integration. Version 3 saw the birth of The Grid, our modular sound-design environment. And for version 4, new musical timelines have arrived. This means comping for audio clips, both in the Clip Launcher and the Arranger. A new set of Operators, for changing the chance, recurrence, and more of any note or audio event. Random Spread for any expression point (like per-note pitch, or audio panning) with perfect control. And Native Apple Silicon support on Mac, even allowing Intel and ARM plug-ins to work side-by-side. Welcome to Bitwig Studio 4...

Audio Comping, Anywhere the Clip Goes
Since the invention of studio recording, our task has been to create the perfect performance. Comping allows you to combine the best parts of many takes, and Bitwig Studio provides this and more.

Each take is given its own color so from the first swipe of a take lane, the sources are clear. To swap in a different take, just tap it. Then press the up or down arrow to cycle thru the other takes. From the composite lane, move a boundary by clicking, adjust gain by dragging, or fix timing by sliding.

Since we have a Launcher and an Arranger, comping lives inside the audio clip. So if you are composing in the Launcher, just click to enable comp recording right there. Or just drag clips in either direction with your takes safely inside. Even open the layered editor when multiple comps belong together. Comping works wherever you are, now and later.

And since all good techniques deserve a new trick, right-click any audio clip to Fold To Takes. If you ask for an eight-bar comp, the entire clip will be spooled into take lanes, and the comping can begin. Or just drag audio in to add a new take lane. The stranger the sources, the newer the result.

Comping In Action With Tauri
Learn how experimental pop duo Tauri used the comping workflow in Bitwig Studio 4 when producing their song “In The Dark.” The song is out on all major music platforms, and it’s also available in Bitwig Studio 4 as a full Bitwig demo project for you to explore and remix. Meet Tauri and get a behind-the-scenes view of their comping workflow in this in-depth artist story.

Operators: Maybe the Best Loops Don’t
Modulation has always been a centerpiece of Bitwig Studio. Modulators have been there all along, putting device parameters into motion. And now with Operators, sequenced note and audio events can become electric too. This leads to clips that go to different possibilities and timelines, either by programming, by performance control, or by destiny.

Anti-Loops
Bitwig Studio 4 sees the arrival of comping for audio clips and Operators for all sequenced events. The brand-new sound package Anti-Loops uses these features to push the idea of what a loop is to the breaking point, with 100+ clips crafted by expert sound designers like Cristian Vogel, Pat Cupo, Polarity and others.

INFO/DEMO/BUY: https://mage.si/gFv4p
Bitwig Studio v4.0.1 x64 WiN LiNUX
https://beelink.pro/47722/Bitwig-Studio-v4.0.1-x64-WiN-LiNUX/

Poll

Please, rate your DAW

Other polls...