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E646 VS v1.5 WiN R2R, x86 x64 windows vst3 plugins plugins vst aax plugins, x86, x64, WiN, VST3, VST, VALENTiNE, R2R, E646, AAX

E646 VS v1.5 WiN

Team R2R | Feb 14 2019 | 41 MB


ENGL Amps have gained a reputation in the music scene for delivering the ultimate metal tones over the past decade or so. Unique and remarkable design and awesome signature sounds wrapped into snakeskin. 100 watts of four 6L6 power tubes trapped behind hand-soldered iron chains. Adjusted and dialed in for the modern metal guitar player. Four channels of pure tube attack power deliver the widest modern range of tones you can expect from an amp. The E646 plugin faithfully delivers all the fast attack, punchy rhythm, furious lead tones and the modern, sparkling clean sounds of the original amp. Through meticulous component modeling, that plugin version also captures the smooth, sonic transition of well-selected channel layouts including an adjustable Mid Boost switch in order to create modern rock tones from sustained shining clean to a vintage vibe crunch sound.

E646 VS v1.5 WiN-R2R

E765 RT v1.5 WiN R2R, x86 x64 windows vst3 plugins plugins vst aax plugins, x86, x64, WiN, VST3, VST, VALENTiNE, RT, R2R, E765, AAX

E765 RT v1.5 WiN

Team R2R | Feb 14 2019 | 43 MB


This amp is lesser known than the 646, but you should listen to the audio examples below. Very versatile, rocking amp for anything from Jazz to Hard Rock. Less aggressive than a 646, but reaching into metal territory, especially if you combine it with some nice pedals, and can be played with more expression as it reacts to the incoming signal very realistic. If you like to play with the volume knob on your guitar, this is your amp!

– Old school vintage tones to modern higher gain sounds.
– Not only sounds, but feels like playing through a real amp
– Accurate amp modeling and advanced speaker simulation (Impulse Responses), capturing high-end studio gear, plus recording-specific features like filters and a great noise gate.
– Two channels: Channel 1 and Channel 2, each channel with separate Gain and Volume knobs.
– Two voicing sections specially tuned for each channel: One three-band EQ for Channel 1 and one three-band EQ for Channel 2.
– Tight and Smooth filters (Hi-Pass/Low-Pass), selectable Pre and Post amp.
– Vintage lo-fi delay effect.
– 64 selectable Recording Chains.

E765 RT v1.5 WiN-R2R

Opticom XLA 3 v1.4 WiN R2R, x86 x64 windows vst3 plugins plugins vst aax plugins, XLA 3, x86, x64, WiN, VST3, VST, VALENTiNE, R2R, Opticom, Optical Compressor, OPTICAL, Compressor, AAX

Opticom XLA-3 v1.4 WiN

Team R2R | 13 Feb 2019 | 41.3 MB


The Opticom XLA-3 is a powerful and flexible optical compressor. Glorious tube sounds and opto-electric vibe, featuring steel covered military-grade components. Slap it across the drum buss for solid and seamless LA-2A style leveling. Force vocals through the input to add grit and attitude to a wimpy take. A unique “Amp Mode” allows you to to add harmonic color to your signal without even touching the dynamics. The original XLA-3 hardware features three compression responses. Each treat sounds in a totally different way.

– Unique opto-electric circuit that combines the best characteristics of 3 separate compression curves in one unit – from clean to dirty!
– Smooth and seamless ‘LA-2A’ sound plus optional even-harmonic distortion
– In Amp Mode this becomes a “tone box” – adding color and distortion without reducing dynamics
– Saturate with Output Gain, and attenuate to taste with the added Output Trim
– Several plugin-only features not available on the original hardware

Opticom XLA-3 v1.4 WiN-R2R

EQ2 v1.5 WiN R2R, x86 x64 windows vst3 plugins plugins vst aax plugins, x86, x64, WiN, VST3, VST, VALENTiNE, R2R, EQ2, EQ, AAX

EQ2 v1.5 WiN

Team R2R | Feb 14 2019 | 32 MB


TEC Award nominated EQ2 provides some of the same audio magic of its bigger brother, but it also adds features which make it the perfect companion to the EQ4. While the EQ4’s wide, musical control over 4 frequency bands make it the best EQ on the market for sweetening your tracks, the EQ2’s second band offers greater control over center frequencies and bandwidth selections, making it a great tool for fixing problems or creating more radical changes. The EQ2 also has the legendary Air Band like the EQ4, but offers a 15khz band not found on the EQ4. The EQ2’s 11 LMF bell selections on its LMF band: 6 wide and 5 tight, broaden its frequency selections compared to the EQ4, which has only wide bell selections. This allows the EQ2 to zoom in on problem areas in a manner that EQ can’t. The EQ2 also features an Input Attenuator not found on the EQ4 to help normalize the signal before applying EQ.

EQ2 v1.5 WiN-R2R

EQ4 v1.9 WiN R2R, x86 x64 windows vst3 plugins plugins vst aax plugins, x86, x64, WiN, VST3, VST, VALENTiNE, R2R, EQ4, EQ, AAX

EQ4 v1.9 WiN

Team R2R | Feb 14 2019 | 33 MB


You’ve heard the EQ4 on the vocals of artists ranging from Madonna to Celine Dion, and from the Black Eyed Peas to Snoop Dogg. Now you can have this legendary EQ right inside your DAW. The EQ4’s unique design allows for exceptionally low phase shift across all EQ adjustments, which helps maintain the integrity of your mix’s original sound while enhancing the “Airy” frequencies. The AIR BAND® interacts with the 5 band pass EQs to tonally sculpt your tracks from top to bottom with unrivaled transparency and top end presence. The EQ4 is a musical EQ, not a surgical EQ, making it ideal for sweetening tracks. Add it to your vocal tracks to hear why top audio engineers who have access to every EQ ever made demand the EQ4 for vocals.

– Everybody is raving about the EQ4’s legendary AIR BAND™…
– … but try the SUB Band (10Hz!) on your Master or Drum Buss!
– Fixed Frequency Band-Pass Filters for unrivaled phase-coherent EQ-ing
– Boost only shelf at 2.5 kHz, 5 kHz, 10 kHz, 20 kHz, or 40 kHz.
– Nothing beats the EQ4 on Vocals, Drums, Guitars or the Master Buss

EQ4 v1.9 WiN-R2R

DSM v2.8 WiN R2R, x86 x64 windows vst3 plugins plugins vst aax plugins, x86, x64, VST3, VST, VALENTiNE, Spectrum, Mapper, Dynamic, DSM, AAX

DSM v2.8 WiN

Team R2R | 14 Feb 2019 | 34.4 MB


FFT based Audio Mapper by legendary console developer

The DSM V2 plugin uses FFT analysis to accurately capture both, the frequency and level characteristics of your audio material. This “captured” FFT data can then be dynamically controlled using standard parameters (like Threshold, Ratio, Attack, Decay and Gain). But unlike typical dynamic processors, these controls directly affect the FFT data, not just the audio. This way, you can capture the characteristics of any audio signal and apply it to any other sound or part! Truly professional results can be achieved quickly for several dynamics processes, including (but not limited to): Loudness Enhancement, Compression, Vocal enhancement, De-Essing, adjusting different songs to each other in mastering, etc.

The DSM also includes a single-button Limiter function and Dithering, optimized to work with the DSM’s 18-band (!) compression stage. Get creative with this magic tool set!

– Controls both the frequency response and dynamic characteristics of audio material via FFT manipulation!
– Quickly captures, modifies, and re-applies sound character to its own source, or copy characteristics to other sounds.
– Sound character mapping between whole mixes, tracks, vocal parts, and instruments.
– Continuity matching in mastering.
– Low Frequency Attack control progressively increases the attack time for lower frequency signals in relation to higher frequencies.
– High Frequency Release control progressively decreases the release time for high frequency signals in relation to lower frequencies, speeding up the gain recovery for high frequency compression events.
– Parametric Threshold – an expert mode feature that allows the user to either modify a captured spectrum manually, or build a custom spectrum from scratch.
– Stereo or dual mono operation
– Included 24 bit Dither, with a selectable 16-bit Dither option!

DSM v2.8 WiN-R2R


MAGNUM K v1.0 WiN R2R, x86 x64 windows vst3 plugins plugins vst aax plugins, x86, x64, WiN, VST3, VST, VALENTiNE, R2R, MAGNUM K, MAGNUM, AAX


Team R2R | Feb 14 2019 | 37 MB


The original MAGNUM-K™ hardware is a single-channel Compressor built to complement the audio engineer’s craft. It is comprised of two serial compressor sections (MAGNUM COMP and K COMP), a very musical Parallel EQ (with LMF and Mäag’s signature AIR BAND®), plus a Soft Limit (soft limiter). L/R and M/S Stereo capabilities, injected 20 different, analog channels utilizing their patent-pending TMT (Tolerance Modeling Technology) and several convenient plugin-only features like M/S Stereo Width, Mono-Maker etc.

– 2 compressor sections, Magnum Comp and K Comp
– Musical-sounding parallel EQ with LMF and Mäag’s signature Air Band
– Soft Limiter
– Faithfully modelled, endorsed and approved by Mäag Audio
– Stereo version in addition to the original mono version
– DRY/WET parameter for parallel mix
– 20 different, analog TMT channels
– M/S mode inclusive Solo M and Solo S



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