Computer Music’s goal is to help its readers create great music with a PC or Mac. Each month find easy-to-follow tutorials for all sorts of music software, unbiased reviews of the latest products and answers to technical questions.
G8 takes dynamic sound shaping to the next level. Deceptively simple, G8 is a tool that reaches far beyond what any normal noise gate can do. While it does a great job at the usual tasks of rejecting noise and shaping transients, the MIDI in/out and alternate gating modes offered by G8 open a world of possibilities that let you forget you’re even using a ‘Gate’. Use G8 to create dynamic rhythm patterns on sustained sounds; trigger an envelope on G8 with MIDI input or use it to trigger notes on a MIDI instrument; produce interesting fractal sequences and auto-panning effects with Delay and Output Reject. With Cycle Mode and One-Shot, you can create dramatic motion with G8’s envelope, reducing the time value of the envelope to mere milliseconds, resulting in AM synthesis. The four-channel input in the Expert Mode of G8 allows for complex in-DAW routing of different levels and types of content. G8 can split the amplitude of a single source, allowing you to route two different characteristics of your sound to different tracks – the Mains and the Reject.
No other plugin has the comprehensive ability to manipulate pitch and time like Fault. Whether used at mixdown to fortify weak tracks or in sound design to totally mangle instruments beyond recognition, Fault’s applications are limited only by your imagination. With over 100 factory presets included – featuring settings from contributing artists like Richard Devine and Scott Kirkland from The Crystal Method – finding creative inspiration with Fault is fun and engaging. Three main processors power Fault’s comprehensive spectral control. Dual-channel Pitch Shifters musically retune sounds up or down as much as a full octave, in steps as small as 0.1 semitone. The stereo Frequency Shifter can be modulated by precision FM controls to create beautiful and discordant sounds alike. Stereo Delays use cross-channel feedback and filters to add immersive depth. And if that weren’t enough, every control knob and switch setting can be itself controlled dynamically by up to eight powerful and flexible modulators, two of which are brand new in version 1.1: Step Sequencer, and ROLI Lightpad (for seamless integration with ROLI’s latest MIDI controller hardware).
It’s time to go deeper with your sound – way deeper. Sure, you’ve made your tracks sound nice – balanced the levels, added just the right EQ – maybe you even performed all the music. But that’s only the beginning. You want to get inside those waveforms, to tinker and explore, to realize your track’s potential and draw out a sound that had only existed between your ears. It’s time to get to know Dent 2. The original Dent was a different kind of distortion plugin, made for every engineer and sound designer who had ever longed to manipulate the waveform on a molecular level. Now, with the release of Dent 2, audio control freaks rejoice, because Unfiltered Audio has gone subatomic. We’re talking about a let’s-sharpen-the-peaks-on-the-negative-half-of-the-waveform level of control! So if you’re looking for sweet analog hardware emulation, you better look elsewhere, because the mad scientists at Unfiltered are digital to their core, and they know exactly how to turn those ones and zeros into magic.
Sandman is far more than just a delay plugin; it’s a wormhole to the dreamtime states of your sounds. It’s a deceptively simple gateway to a microcosm of sonic dimensions bordering the absurd. It’s a new way to extract loops and grains from a sound that can be as close to or as far flung from the original, as you like. From the input of just a single sample, Sandman opens a Pandora’s box of endless sonic possibilities. At first glance, Sandman offers the most basic parameters found on a delay plugin – host synch-able Delay Time and ping-pong feedback, along with a wet/dry mix and a filter for good measure. Use these standard features for flanging, comb filtering, or adding string-like texture to percussive sounds. The Sample Rate parameter can add vintage grime or completely decimate a sound by directly lowering the sample rate of the DSP engine; an adjacent Dirt switch gives you the loving character of a lo-fi recording.
SpecOps is dozens of plugins in one. Inside its easy-to-use interface is a jam-packed armory containing 36 diverse and flexible spectral effects, ranging from subtle to extreme. How you use these potent tools is truly limited only by your creative imagination: transform synthesizer presets with new sonic qualities, add throbbing grunge to drum loops, fatten up instrument tracks, delicately clarify full mixes, or decimate organic instruments and vocals beyond recognition to create one-of-a-kind special effects.
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Khords v1.0.4 WiN MAC Team R2R | 12 September 2019 | WiN: 315 MB | MAC: 363 MB KHORDS is a focused instrument that brings sampled personality and classic charac...
DSP Plugins Complete Bundle TCD | 22 April 2024 | 26.7 MB .:: x64: AAX, VST3 ::. Unique Sounds Need Unique Tools. Tired of the same old effects? Our innovative...
Producer Sounds: Electro Collection P2P | 22 April 2024 | 2.84 GB Introducing Producer Sounds – Electro Collection: Your Electro Production Toolkit. Jump into t...
Don't Stop Dancing P2P | 22 April 2024 | 688 MB 'Don't Stop Dancing' is a fire Deep/Tech House collection featuring an impressive display of sound design and mu...
Producer Sounds: Hip Hop & RnB P2P | 22 April 2024 | 2.35 GB Introducing “Producer Sounds – Hip Hop & RnB” – your toolkit for creating classic beats wit...
Classic Hip Hop 2 WAV P2P | 22 April 2024 | 1.33 GB Introducing “Classic Hip Hop” – a definitive sample library meticulously crafted for modern producers explor...
Indie Dance WAV FANTASTiC | 03 January 2024 | 212.73 MB Indie Dance – a stunning collection of premium, royalty-free samples that promises to take your music pr...
